这间宽敞的公寓位于一座建于19世纪末期的贵族庄园中，享有优越的地理位置——面朝Girona街和一处典型的巴塞罗那风格的庭院内部，此外，该公寓内部拥有一个由木艺和染色玻璃打造的美丽天井，因此享有充足的通风和光照。
This spacious and large apartment is located in a noble estate from the end of the 19th century, and enjoys a privileged position facing both Girona street and a large interior courtyard typical of the Barcelona ‘example’, additionally, the apartment enjoys extra ventilation and lighting through a beautiful interior patio with wooden carpentry and tinted glass.
▼公寓门口，Entrance of the apartment © José Hevia
▼入口处的起居室，Living room at the entrance space © José Hevia
公寓的以上条件恰好是设计团队对其进行翻新和改造的切入点：一道长长的胡桃木立面，颜色深邃且优雅，其中打开了一个门洞，从靠近Girona街的起居室开始，贯穿整个公寓空间，一直延伸至通向内部天井的画廊空间，长达21米。沿着这个室内的木质立面，有着多种用途的空间被一个挨一个地组织起来，这些空间不仅起到通道的作用，更主要的是作为生活空间，这些房间有着多种用途，例如同时作为起居室和餐厅空间，以及其它没有被明确定义用途的空间，例如内部天井旁舒适的休闲空间，阳光透过蓝色玻璃的窗户照射进来。
▼空间轴测图，axonometric © Raúl Sánchez Architects
This condition of the apartment is precisely what dictated its transformation and refurbishment: a long walnut wood front, dark and elegant, with an open pore, starts from the living room next to Girona street, and runs the entire length of the apartment, 21 meters, until it reaches the gallery that leads to the inner courtyard of the block. Along this interior wooden façade, spaces with a more collective use follow one another, and their width is always oversized, to be living spaces, not just passing-through, mixing rooms with a more defined use, such as the living room or the dining room, with other more ambiguous ones, such as the cozy space next to the interior patio, which receives light through the original blue-tinted windows.
▼绿色的厨房，The kitchen in green © José Hevia
▼厨房细部，Details of the kitchen © José Hevia
▼从厨房看向餐厅，Looking at the dining room from the kitchen © José Hevia
▼餐厅，Dining room © José Hevia
▼餐厅与起居室一墙之隔，Dining room separated from living room © José Hevia
▼餐厅蓝色的饰面，Blue finish at the dining room © José Hevia
开端和末端空间的置入使被切割的室内平面/立面得到了强调：在起居室内，由黄铜和不锈钢饰面构成了一幅“图画”；一扇朝向画廊的枢轴门采用了相同的材质，但是在此处更换了朝向，两堵带有金属的墙面以非物质的结合方式呈现在空间平面的两端。在折扇枢轴门之后，木质的墙面延伸进房间中，暗示了这是一个卧室和公共用途的混合功能空间。
The importance of this interior cutting plane/facade is reinforced by providing it with a beginning and an end: in the living room, a ‘picture’ of brass and stainless steel finishes it off; towards the gallery, a pivot door of the same dimensions receives the same materials, but this time it changes position, insinuating an immaterial union of these two metal fronts at each end of the plan. Beyond this pivot door, the wooden front slips into the room to indicate that this space has a hybrid label, being able to be both a bedroom and a room for common use.
▼长长的胡桃木立面，The long walnut wood front © José Hevia
▼从餐厅看向公寓中的通道，View from the dining room to the corridor in the apartment © José Hevia
▼站在通道处看向不同的房间，Standing in the passage and looking at different rooms © José Hevia
▼进入卧室，Enter the bedroom © José Hevia
▼卧室中平和的氛围，Calm atmosphere in the bedroom © José Hevia
▼卧室配套的浴室，Bathroom at the bedroom © José Hevia
▼浴室洗手台，Bathroom sink © José Hevia
所有公共用途的空间都统一使用了白色的微水泥地面，一些特殊的位置还使用了液压马赛克铺装；两种型号的马赛克沿轴线延伸至起居室木质的地面，这种材质同时也在入口处将来宾引向餐厅。置于其余的部分，设计团队采用了多种经过专门设计的集成家具，有意与马赛克和木质材质的色调形成区分，为平和的室内氛围增添色彩对比。
All the common spaces are united by the same white microcement flooring, while recovered hydraulic mosaic floors are arranged in strategic places; continuing the axis of the wooden plane towards the living room by means of two types of mosaic sliding between each other, or welcoming in the access and directing the steps towards the dining room. For the rest, different pieces of integrated furniture, all designed specifically, use color tones intentionally far from the colors of the mosaics or wood, adding counterpoints of color to a mostly calm interior.
▼美丽的画廊，The gallery © José Hevia
▼画廊处的休闲空间，Leisure space in the gallery © José Hevia
▼公寓最远端的休闲空间，The cozy space at the furthest end of the apartment © José Hevia
在胡桃木墙面的另一侧，则是更加私密的房间。这些房间的入口被隐藏起来，所有的门都与墙面齐平，每个房间都有着自己的规律，就好像它们是共用一条通道各自独立的房间：厨房向餐厅开敞，这里像一个绿色的世界，大理石表面还带有白色和淡黄色的条纹；公共浴室中安装了不同色调的壁龛，有绿色、黄色、哑光的和带细闪的；我是则铺设了橡木材质的地板，营造了更加安静的氛围，墙壁被蓝色调的织物和由Catalina Montaña为本项目专门设计的纺织品所覆盖。
On the other side of the walnut façade, are the rooms that are more private or in need of privacy. Their entrances are hidden from the front, with all the flush doors, and each of these spaces follows its own law, as if they were independent rooms that share the same access street: the kitchen opens onto the dining room like a green world with a white and yellowish band on the marble front; the shared bathroom plays with different niches and shades of green and yellow, matt and shiny, while the bedrooms are calmer environments with oak wood floors and accents in blue through wall coverings or textile designs by Catalina Montaña, made expressly for this project.
▼黄铜、不锈钢和木质材质，Brass, stainless steel and wood © José Hevia
最后，同样重要的是，本项目是一个模糊抽象的干预尝试，设计者们以某种方式留下了一个未完成的空间，和一些不易察觉的不完整的特征，这是住户在使用该空间时能够有不同的选择和方式。
Last not least, there is a vague intention of leaving the spaces somehow unfinished, with a subtle incomplete character, opening up the different options for occupying and using them.
▼首层平面图，ground floor plan © Raúl Sánchez Architects
▼带铺装材质首层平面图，ground floor plan with paving material © Raúl Sánchez Architects
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