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维罗尼卡海滨别墅位于南美的秘鲁。秘鲁对中国人来讲,最为闻名的也许是印加文化和马丘比丘遗址。但是这片曾被西班牙人殖民过的土地,西班牙人更为了解,比如秘鲁的美食与音乐。承接项目的西班牙建筑师深知秘鲁的建筑风格情况,因此他们希望在这个坐山面海,位于一个大坡之上的别墅中体现国际性,探寻人工与自然的对话。其中最为明显的一处设计是建筑内部的一道墙是场地中的自然岩石,建筑师没有破坏它们,反而展现出出它们的本真魅力,临靠岩石安排楼梯走廊等交通线,并让其与客厅空间相通。自然的魄力渗透在建筑各个部分。水磨石,混凝土,石材,钢,直线,曲线,卷元素等要素与场地混合,形成这座独特的秘鲁海滨别墅。
Peru is known for its food and its music as a cultural representation, the attempt by its architecture to be known, has become one of the most
important motivations of our work.

This attempt was conducted in a more intuitive than rational way, more feeling and reacting to our own nature that analyzing or justifying our actions with history or references.

This is how we present this home to our clients and this is how we learned the many complexes that we have for recognizing us as Peruvians.

In our environment, it is more difficult to try to offer Peruvian architecture than foreign architecture, complicating the attempt when commisions often arrive with specific orders oblivious to what should be in a proper context styles .

Veronica house was a great opportunity to explore this search of our architecture in a context that is better related with the international style.

The intervention was seen as the happy meeting between the artificial and the natural.

The pool of almost 40 meters long and a staircase of several levels are the architectural – landscape elements that allowed integration with the place always seeking a balance between the natural (rock site) and artificial represented by the same architectural elements.



↑ 从坡下的路看建筑。建筑平台上的泳池和休闲设施被砌石墙体巧妙的隐藏。

↑ 从坡上看低调的入口,大部分体量在坡的另外一侧。卷的元素无处不在。

↑ (左)入口,楼梯与走廊,天光从天窗渗入,照亮空间。一侧墙面暴露出岩石。
(右)从楼梯下方客厅处想上望

↑ 自然与人工的诗意

↑ 楼梯段

↑ 梯段结束处

↑ 有圆形中庭吹拔的客厅

↑ 中庭让不同层次的空间联系在一起

↑ 走廊

↑ 卧室
The social area is at the terrace - swimming pool level on a raised platform, carved into the hill, it has a glass enclosure that based on a rail system allowing all partitions come together on the north side of the house making integrated spaces living room, kitchen with terrace and pool.
Intimate areas are accommodated in a volume of two levels that "floats” above the terrace.
This volume generates a nice architectural dialogue with the rock side both north and south of the lot, with a bulk composition that could be interpreted as the geometrization of the nature of the place.
The materiality of the house is solved with the balanced use of five main materials:
Cast Stone concrete, with colors derived from natural rock context.
Beton and Pulish concrete, applied to specific architectural elements, such as an artistic beam that supports the glazing system at the level of the deck, and in some steps of the main staircase, window frames and doors.
Shihuahuaco wooden balconies and elevated terraces, walls and ceilings painted white and “volumes” of glass.
In conclusion it was attempted a house that feels comfortable in its place resorting to the only thing that can unite a community, their culture.

↑ 面海露台






 

 

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