项目背景：
“燕城茶壶”的主人章燕城先生，为“老安顺”第四代传承人，中国陶瓷艺术大师，广东省非物质文化遗产朱泥手拉壶代表性传承人，作品艺术观赏价值高，深得壶艺爱好者认可并广泛收藏。
大思设计授中国手拉壶大师章燕城先生委托，设计新的“燕城茶壶”展示空间，旨在提品牌价值，更好地传播推动手拉壶文化。

Project Background:

Mr. Zhang Yancheng, the owner of the“Yancheng Tea Pot”, is the fourth generation of“Old Anshun”, a master of China's ceramic art. He is a representative inheritor of Guangdong Province's intangible cultural heritage. Zhuni Hand Pot, with high artistic ornamental value, is vey popular and widely collected by pot art fans. The design of Dasi is  entrusted by Zhang Yancheng, a master of Chinese hand-drawn pot. We design a new “Yancheng teapot” display space, aiming at promoting the brand value and promoting the culture of hand pot.

设计理念：
大思设计，在面对不同的展示空间，有不同的思考，考虑品牌的精确定位，产品属性，基于产品及行业环境的文化，尤其重视空间、物、人的关系，构建舒适卓越的空间体验，践行“广大精微，思创无境”的设计哲学。


Design idea:

Dasi design, in the face of different display space,has different thinking, considering the brand precise positioning, productattribute, which are all based on the culture of product and industryenvironment. Dasi pays special attention to the relation between space, objectand human, creating a comfortable and excellent space experience, and practicethe design philosophy of“broad, subtle, endless creativity andno limit.”

开门即见一株“迎客松”，随之是饶宗颐大师题“燕城茶壶”，表达主人的热情及文化艺术追求，大师的墨宝分享给人一种“明心见性”的感觉。

Opening the door, we can see a “welcome pine tree”,followed by the words “Yancheng Tea Pot” written by Rao Zongyi Master. It expressesthe host’s enthusiasm , culture and art pursuit. Master Rao’s handwriting  shares a sense of clear vision and mind .

方与圆为基础的设计逻辑
方、线条、留白为空间的布局规则，考虑到茶壶的形状多为圆形，以线条来衬托，以框与格帮助确定壶的气场小空间，更好的展示观赏。

The design logic is based on square and circle.

The layout rules of square, line and blank space arethe main consideration. Because the shape of teapot is mostly round, andthe line is used to support the shape of the pot. Box and grid are used to helpdetermine the small space of the kettle, which can be better displayed andviewed.

基于茶之器的茶文化
“茶者，南方之嘉木也”。大木台，给人以厚重承托的感觉，整个空间多使用木，切合茶文化的木石元素。

Tea cultureis based on tea instrument.

“Tea, is thetreasure of south.” We use big wooden platform to show the feeling of heavysupport. The whole space uses more wood, mixed with tea culture and wood stoneelement.

文以载道，人以礼待。
C位，以人为中心，以字为中心，嘉宾雅集。


Writings are for conveying truth and man is treated with courtesy. C Positionmeans man-centered, word-centered and full guests.








静而生慧
一椅一壶一世界，让观赏者可以静坐而细细鉴赏，感受大师茶壶作品的倾心及艺术造诣。

Wisdom always comes from quiet：

One chair, onepot, and one pot, one world. So that the viewer can sit still and appreciateit, feeling the soul of teapot master ’s works and artistic achievement.

禅意极简的空间表达
不用之用，为大用。极少而极好，整体布局分割疏可跑马，密不透风，大面积留白之处自有天地。

Spatial expression of Zen minimalism:

No use is for big use. It is rare and excellent, andthe whole layout can be divided into a wide range of space, or it can be dense.There is still a large left blank space to be used freely.

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大思设计之哲学
本案完整视觉下的空间，“动静相宜，虚实相间，禅意深远”，这是大思秉持“广大精微”设计哲学的呈现。
“道法自然”，植物、石头、木、水元素为禅的表达，优雅，静谧凸显独立的气场，让壶的质、型、气 毕显无遗；“空”、“虚”、“留白”，空而不空，各得其位，虚实相间，动静相宜；颇有几分“无有入于无间”——参考《道德经-第四十三章》

The philosophy of design：

The space underthe complete vision of this case is “combination of static and dynamic, empty and full , andprofound meaning of Zen” . It presents the design philosophy of “broad and Subtle”.

“Taoism advocates everything is natural”. Plant,stone, wood and water element are the expression of Zen. Elegance and quiethighlight the independent and grand imposing manner, showing the pot’s quality,shape and dignity. “Nihility and the left blank'” means not empty and each canhave its position. “Combination of static and dynamic, empty and full” isappropriate. It is like “Invisible forces can penetrate something without gaps”,which refers to the forty-third chapter of Dao De Jing.

Name丨项目名称：
燕城茶壶大师作品展示空间
Location丨项目地点：
Chaozhou China丨中国 潮州
Design丨设计：
潮州大思装饰设计有限公司
Chaozhou DaSi Design Institute Co.,Ltd.
Director丨设计总监：郑任嵩
（潮州大思装饰设计有限公司创始人/国家注册室内设计师/
APDF亚太设计师联盟专业会员/作品多次荣获国内外设计大奖）

注册后 可查看完整案例

项目背景：
“燕城茶壶”的主人章燕城先生，为“老安顺”第四代传承人，中国陶瓷艺术大师，广东省非物质文化遗产朱泥手拉壶代表性传承人，作品艺术观赏价值高，深得壶艺爱好者认可并广泛收藏。
大思设计授中国手拉壶大师章燕城先生委托，设计新的“燕城茶壶”展示空间，旨在提品牌价值，更好地传播推动手拉壶文化。

Project Background:

Mr. Zhang Yancheng, the owner of the“Yancheng Tea Pot”, is the fourth generation of“Old Anshun”, a master of China's ceramic art. He is a representative inheritor of Guangdong Province's intangible cultural heritage. Zhuni Hand Pot, with high artistic ornamental value, is vey popular and widely collected by pot art fans. The design of Dasi is  entrusted by Zhang Yancheng, a master of Chinese hand-drawn pot. We design a new “Yancheng teapot” display space, aiming at promoting the brand value and promoting the culture of hand pot.

设计理念：
大思设计，在面对不同的展示空间，有不同的思考，考虑品牌的精确定位，产品属性，基于产品及行业环境的文化，尤其重视空间、物、人的关系，构建舒适卓越的空间体验，践行“广大精微，思创无境”的设计哲学。


Design idea:

Dasi design, in the face of different display space,has different thinking, considering the brand precise positioning, productattribute, which are all based on the culture of product and industryenvironment. Dasi pays special attention to the relation between space, objectand human, creating a comfortable and excellent space experience, and practicethe design philosophy of“broad, subtle, endless creativity andno limit.”

开门即见一株“迎客松”，随之是饶宗颐大师题“燕城茶壶”，表达主人的热情及文化艺术追求，大师的墨宝分享给人一种“明心见性”的感觉。

Opening the door, we can see a “welcome pine tree”,followed by the words “Yancheng Tea Pot” written by Rao Zongyi Master. It expressesthe host’s enthusiasm , culture and art pursuit. Master Rao’s handwriting  shares a sense of clear vision and mind .

方与圆为基础的设计逻辑
方、线条、留白为空间的布局规则，考虑到茶壶的形状多为圆形，以线条来衬托，以框与格帮助确定壶的气场小空间，更好的展示观赏。

The design logic is based on square and circle.

The layout rules of square, line and blank space arethe main consideration. Because the shape of teapot is mostly round, andthe line is used to support the shape of the pot. Box and grid are used to helpdetermine the small space of the kettle, which can be better displayed andviewed.

基于茶之器的茶文化
“茶者，南方之嘉木也”。大木台，给人以厚重承托的感觉，整个空间多使用木，切合茶文化的木石元素。

Tea cultureis based on tea instrument.

“Tea, is thetreasure of south.” We use big wooden platform to show the feeling of heavysupport. The whole space uses more wood, mixed with tea culture and wood stoneelement.

文以载道，人以礼待。
C位，以人为中心，以字为中心，嘉宾雅集。


Writings are for conveying truth and man is treated with courtesy. C Positionmeans man-centered, word-centered and full guests.








静而生慧
一椅一壶一世界，让观赏者可以静坐而细细鉴赏，感受大师茶壶作品的倾心及艺术造诣。

Wisdom always comes from quiet：

One chair, onepot, and one pot, one world. So that the viewer can sit still and appreciateit, feeling the soul of teapot master ’s works and artistic achievement.

禅意极简的空间表达
不用之用，为大用。极少而极好，整体布局分割疏可跑马，密不透风，大面积留白之处自有天地。

Spatial expression of Zen minimalism:

No use is for big use. It is rare and excellent, andthe whole layout can be divided into a wide range of space, or it can be dense.There is still a large left blank space to be used freely.

注册后 可查看完整案例

大思设计之哲学
本案完整视觉下的空间，“动静相宜，虚实相间，禅意深远”，这是大思秉持“广大精微”设计哲学的呈现。
“道法自然”，植物、石头、木、水元素为禅的表达，优雅，静谧凸显独立的气场，让壶的质、型、气 毕显无遗；“空”、“虚”、“留白”，空而不空，各得其位，虚实相间，动静相宜；颇有几分“无有入于无间”——参考《道德经-第四十三章》

The philosophy of design：

The space underthe complete vision of this case is “combination of static and dynamic, empty and full , andprofound meaning of Zen” . It presents the design philosophy of “broad and Subtle”.

“Taoism advocates everything is natural”. Plant,stone, wood and water element are the expression of Zen. Elegance and quiethighlight the independent and grand imposing manner, showing the pot’s quality,shape and dignity. “Nihility and the left blank'” means not empty and each canhave its position. “Combination of static and dynamic, empty and full” isappropriate. It is like “Invisible forces can penetrate something without gaps”,which refers to the forty-third chapter of Dao De Jing.

Name丨项目名称：
燕城茶壶大师作品展示空间
Location丨项目地点：
Chaozhou China丨中国 潮州
Design丨设计：
潮州大思装饰设计有限公司
Chaozhou DaSi Design Institute Co.,Ltd.
Director丨设计总监：郑任嵩
（潮州大思装饰设计有限公司创始人/国家注册室内设计师/
APDF亚太设计师联盟专业会员/作品多次荣获国内外设计大奖）

注册后 可查看完整案例