本帖最后由 小隐建筑 于 2023-7-20 16:24 编辑
生如夏花之绚烂，死如秋叶之静美。 Let life be beautiful like summer flowers, and death like autumn leaves.
—— 泰戈尔《飞鸟集》，Rabindranath Tagore “Stray Birds”
凿破苍苔地，偷他一片天。
白云生镜里，明月落阶前。
Cutting through a piece of green moss, I stole the huge sky.
The white clouds seemed to float out of a mirror, and a bright moon quietly fell on the steps.
——【唐】杜牧《盆池》，Mu Du “The Basin”.
《寻梦环游记》里说，人的一生要死去三次。第一次是心跳停止、呼吸消逝；第二次是在葬礼上，被宣告在这个社会不复存在；第三次是这个世界上最后一个记得你的人将你遗忘。所以，死亡不是我们的人生终点，遗忘才是。中国的传统观念里忌讳谈论“死亡”，于是我们用“涅槃”、“圆寂”、“升天”、“安息”、“长眠”、“去了”、“走了”……美好的寓意、轻松的词语来代替，尽量不提“死亡”二字。但死亡终究是所有人都要面对的人生结果，漫长的人生旅途中，学会接受死亡，是我们这一生都需要做的功课。
It is said in “Coco” that a person will die three times in the life. The first time is when your heart stops beating and your breathing disappears; the second time is when you are declared to cease to exist in this society at your funeral; the third time is when you are forgotten by the last person in this world who remembers you. Therefore, death is not the end of our life, but being forgotten is. It is taboo to talk about “death” in Chinese traditional concepts, so we use other words instead, such as “nirvana”, “passed away”, “ascend to heaven”, “rest in peace”, “eternal sleep”, “gone” … Try not to mention the word “death”. But after all, death is the truth of life that everyone has to face. During the long journey of life, learning to accept death is the homework we all need to do in the whole life.
▼坐落在风水宝地之中的云镜，The cloud mirror located in the treasure land
▼云镜如一颗巨大的星星漂浮在山谷中，The cloud mirror floated like a giant star in the valley
中国人深受儒、释、道等传统礼节、风水文化和传统生活环境的影响，对于逝去的人都讲究“落叶归根，入土为安”，久而久之，墓地成为一个古老而极具纪念性的场所。而中国传统的墓地一直延续古代墓地的诸多元素，墓地建筑多以厚重、沉闷的中式或仿古建筑风格为主，墓园大多给人以沉重、压抑，甚至阴森、恐怖的心理感受。
Chinese are deeply influenced by traditional etiquette such as Confucianism, Buddhism, Taoism, Fengshui culture and traditional living environment. For the dead, they hope to be buried in their hometown, just like falling leaves returning to their roots. Over time, the cemetery has become an ancient and very commemorative place. Most traditional Chinese cemeteries have always continued many elements of ancient cemeteries. The buildings are heavy and dull Chinese or antique architectural styles, give people a heavy, depressing, even gloomy and terrifying psychological feeling.
▼云镜鸟瞰，Bird ‘s-eye view
云镜的建筑实践让我们有机会更深入思考死亡。把死亡放置于时间的维度里，伤痛与恐惧其实是短暂的，留下更多的是思念。在2021年这个特殊的时间点，我们想通过设计减轻一点死亡带给人们的伤痛，尤其是传统带给生者的沉重。当近距离接触死亡或者深入的思考这个问题以后，会有很多莫名的疑问，比如自己会以哪种形式去世？去世以后希望以哪种形式安葬？安葬在哪里？谁来为自己挑选安葬之地？亲人朋友们会以什么形式来祭奠自己？他们会不会很快将自己遗忘？……由此会延伸出很多事无巨细的行动，去解答这些来自未知的疑惑。
The architectural practice of Cloud Mirror gives us the opportunity to think more deeply about death. Placing death in the dimension of time, the pain and fear are actually fleeting, leaving behind more missing. At this special time point in 2021, we want to alleviate the pain of death, especially the depressing brought by tradition to the living, through design. When you get close to death, you will have many inexplicable questions, such as “in what form will I die? What is my funeral like? Where is the burial? Who will choose the place of burial for myself? In what form will relatives and friends pay homage to me? Will they soon forget me? …” This will lead to all actions, whether important or trivial to answer these doubts.
▼等边三角形构建的星星，Equilateral triangles stars © 存在建筑
“我们每个人奋进一生，都为了一个更好的‘栖身之所’”。当自己直面死亡，可能也希望死后能被安置在一个风水宝地，在另外一个世界亦能继续享有一个理想的居所。对于逝者来说这是对生前美好生活的精神延续，对于生者来说希望借此庇佑子孙，这是大多数人的共同愿望。有些人在生前就会亲自为自己挑选墓地，找寻百年以后的理想居所；而生者也会在思念的牵引中，不时的前往墓地悼念缅怀故人。墓地成为连接生者与逝者情感的重要载体。墓地不仅仅是为逝去的人建造的居所，更是为活着的人建造的精神庇护所。
“Every one of us has worked hard all our lives for a better place to live.” When you face death, you may also hope that you can be placed in a Fengshui treasure land, and you can continue to enjoy an ideal residence in another world. For the deceased, it is a spiritual continuation of the good life before death, and for the living, it is the common wish of most people to use this to bless their descendants. Some people choose their own cemetery before they are alive, looking for an ideal residence in a hundred years; while the living will also go to the cemetery from time to time to mourn the memory of the dead under the traction of longing. The cemetery has become an important carrier connecting the emotions of the living and the dead, it’s not only a place for the dead, but a spiritual sanctuary for the living.
▼云镜门前繁茂的生命之树，The tree of life in front of the cloud mirror © 存在建筑
石家庄安德生命纪念公园地处太行山东麓，周边自然风景区众多；项目地风景壮丽秀美，满目苍翠，青龙白虎玄武朱雀俱全，是一处绝佳的风水宝地。云镜的设计希望在尊重传统丧葬文化的基础上，改变传统墓园的设计观念，以景观化、艺术化、个性化作为设计理念，力求体现一种祥和、宁静、轻松、温馨并具有强烈的仪式感和艺术性的人文景观氛围，以无情绪的温暖空间让人们身心舒缓、放松，让生者疗愈悲伤、逝者得以安息，实现人与自然的共生、共乐。
Shijiazhuang Ander Memorial Park is located at the eastern foot of the Taihang Mountains, with numerous surrounding natural scenic areas. The project site features magnificent and beautiful scenery, lush greenery, and is rich in the symbols of the Azure Dragon, White Tiger, Black Tortoise, and Vermilion Bird, making it an excellent Fengshui treasure land. The design of the Cloud Mirror aims to respect traditional funeral culture while transforming the design concept of traditional cemeteries. With a focus on landscaping, artistry, and personalization, it seeks to embody a harmonious, peaceful, relaxed, and warm humanistic landscape atmosphere with a strong sense of ceremony and artistry. The emotion-free warm spaces aim to provide people with physical and mental relaxation and allow the living to heal their sorrows while offering a resting place for the deceased. The goal is to achieve a symbiotic and joyful coexistence between humans and nature.
▼云镜的三角星星意象，Cloud mirror triangle star image
听说，每一个离开的人都会变成天上的一颗星星…… “我感激我们的光锥曾彼此重叠，而你永远改变了我的星轨。 纵使再不能相见，你仍是我所在的星系未曾分崩离析的原因，是我宇宙之网的永恒组成。 爱不会被磨灭，逝去的人也从不曾走远。
” As the saying goes, every person who leaves will turn into a star in the sky… “I am grateful that our light cones once overlapped each other, and you changed my star path forever. Even if we never see each other again, you are the reason why my galaxy has not fallen apart, and the eternal composition of my cosmic web. Love is not will be obliterated, and the dead never go far.”
▼冬天零落的生命之树，The tree of life scattered in winter
▼时空之门与云朵装置，Space-time Gate and cloud device
星星的明灭是宇宙中最为神秘、美丽的自然现象之一。对于不同的文化和信仰系统，星星有着不同的寓意和象征。古巴比伦人将行星视为神灵，每颗行星对应一个神；古希腊人将星星连在一起，想象成各种形象，在星空上演着激动人心的神话故事和英雄传说；中国古代星空划分和命名体系在“天人合一”的文化传统下建立，发展出三垣、四象、二十八星宿等等。人类祖先对星空的想象都源于各自的生活，不同的生存环境及生产特点，决定了星空文化的千姿百态和丰富多彩。如今，星星不仅是自然界独立存在的天体，也逐渐成为一个被人类赋予丰富思想内涵和情感色彩的文化载体。古今中外，无数名人骚客对星星进行浓墨重彩的描述，传达人类共同的情感：永恒与孤独、离别与思念、希望与梦想等不一而足。为了平衡人们不同的宗教信仰，云镜的设计选择中性的建筑语言塑造场景，星星成为表达建筑情感最核心的意象。
The blinking of stars is one of the most mysterious and beautiful natural phenomena in the universe. For different cultures and belief systems, stars have different meanings and symbols. The ancient Babylonians regarded the planets as gods, and each planet corresponds to a god; the ancient Greeks connected the stars together and imagined them into various images, and staged exciting myths and hero legends in the starry sky; the division and naming of the ancient Chinese starry sky The system was established under the cultural tradition of “harmony between man and nature”, and developed three walls, four images, twenty-eight constellations and so on. Human ancestors’ imagination of the starry sky all originated from their own lives. Different living environments and production characteristics determine the variety and richness of the starry sky culture. Today, stars are not only celestial bodies that exist independently in nature, but also gradually become a cultural carrier endowed with rich ideological connotations and emotional colors by human beings. At all times and in all over the world, countless celebrities and poets have described the stars with emotion, conveying the common emotions of human beings: eternity and loneliness, parting and longing, hope and dreams, etc. In order to balance people’s different religious beliefs. The design of Cloud Mirror chooses neutral architectural language to shape the scene, and the star becomes the core image expressing architectural emotion.
▼褐色的夯土在草地的映衬下显得亲切温暖，The brown rammed earth looked warm and friendly against the grass
前往墓园的途中有一个小村子，建筑均采用毛石和夯土建造，屋顶覆盖传统青瓦，低矮的建筑匍匐在山地和参天树木之间，整个村子几乎隐于山谷之中。为了让云镜也能与山谷环境融合，形成“花开彼岸、结庐人境”的场景意境，建筑外墙底部以毛石砌筑，上部采用与当地泥土颜色一致的暖色稻草漆，坡屋顶以灰色铝镁锰屋面代替传统青瓦，整个建筑呈横向延展，以低矮的姿态嵌入凿开的山体之中。原生感十足的毛石和稻草漆外墙、出挑深远纤薄的屋檐、温暖的木纹吊顶以及大量通透的玻璃让整个建筑显得拙朴、明快、宁静、轻切、精巧。
On the way to the cemetery, there is a small village where the buildings are constructed using rough stones and rammed earth. The roofs are covered with traditional grey tiles. The low-rise buildings nestle amidst the mountains and towering trees, almost hidden in the valley. To integrate the Cloud Mirror with the surrounding valley environment and create a scene of peace, the lower part of the building’s exterior is constructed with rough stones, while the upper part is painted with warm-colored straw paint that matches the local soil color. The sloping roofs are covered with gray aluminum-magnesium-manganese roofing instead of traditional gray tiles. The entire building extends horizontally, embedded in the excavated mountain with a low profile. The local rough stone and straw paint exterior, lightweight eaves, warm wooden ceiling, and abundant transparent glass give the entire building a simple, bright, serene, light, and delicate appearance.
▼云镜入口土红色稻草漆、毛石外墙，Earth red straw paint, rubble stone exterior wall at the entrance
▼冬天列柱外廊的红色在萧瑟的环境中格外温暖，In winter, the red color of the porch is particularly warm in the bleak environment
我们取星形元素中的三角形指代星星，三角形是几何图案的基本图形，等边三角形更是最稳定的结构，在建筑学上有大量经典的应用，等边三角形成为云镜的核心象胚。由星星的意象延展，星云、二十八星宿和其中最为人熟知的北斗七星成为构建云镜叙事场景的重要载体。北斗七星是属于紫微垣的一个星官，在中国传统文化中北斗七星是天地秩序的制定者，也是天地万物化生的中心。
We take the triangle in the star-shaped element to refer to the star. The triangle is the basic figure of the geometric pattern, and the equilateral triangle is the most stable structure. There are a lot of classic applications in architecture. The equilateral triangle becomes the core image embryo of the cloud mirror. Extended by the imagery of stars, the nebula, the twenty-eight constellations and the most well-known Big Dipper among them have become important carriers for constructing the cloud mirror narrative scene. The Big Dipper is a star official belonging to Ziwei Enclosure. In traditional Chinese culture, the Big Dipper is the maker of the order of the world and the center of all things in the world.
▼毛石、稻草漆，Rubble, straw paint
▼入口楼梯、观景廊及二十八星宿列柱，Entrance staircase, viewing gallery and twenty-eight star columns
▼入口楼梯、观景廊及二十八星宿列柱，Entrance staircase, viewing gallery and twenty-eight star columns
根据北斗七星的星图和其在传统文化中所蕴含的象征意义，云镜的景观节点应运而生。主入口根据天璇的寓意设计了时空之门，巨大的喷雾环形门与两侧的云朵装置共同组成一个“两界相拥、隐于云端”的独特意境。紧邻入口处的池塘以天枢的寓意，经过梳理、修复、扩展形成了一个大大的“盆池”，让此地残缺的“朱雀”重获灵性。沿着“盆池”边两列高大圆柏构筑的极具仪式感的绿廊，踏入代表天权的“智慧之台”，台悬置于“盆池”之上，向东遥望，“时空之门”伴随天空翠柏映在碧绿的池水中，向东仰望，宽阔盎然的草坡上是场地的灵魂“生命之树”，草坡的尽头是嵌入山体的“涅槃之境”。整个前区景观遵循素朴、原生的设计原则，通过池水、圆柏、大草坪、旱溪、保留的原生植物营造了一个明净、舒朗、自然、独特又不失仪式感的景观环境。
Based on the star map of the Big Dipper and its symbolic meanings in traditional culture, the landscape nodes of the Cloud Mirror have emerged. The main entrance features a Time-Space Gate designed with the symbolism of Tianxuan (Merak), where a large circular mist gate and cloud installations on both sides create a unique artistic conception of “embracing both realms, hidden in the clouds”. Adjacent to the entrance, a pond with the symbolism of Tianshu (Dubhe) has been meticulously restored, expanded, and transformed into a grand “basin”, allowing the fragmented “Vermilion Bird” to regain its spirituality. Along the edges of the “basin” are two rows of tall, ceremonial green corridors constructed with majestic round cypresses. Stepping onto the “Wisdom Terrace” representing Tianquan (Megres), suspended above the “basin”, one can gaze eastward. The “Time-Space Gate” is reflected in the emerald pool water, and looking eastward, a wide and vibrant grass slope unveils the soul of the site, the “Tree of Life”. At the end of the grass slope is the “Realm of Nirvana”, embedded in the mountain. The entire front area of the landscape follows the principles of simplicity and originality, creating a clean, spacious, natural, unique, and ceremonial landscape environment through the use of water, round cypresses, large lawns, dry streams, and preserved native plants.
▼入口大挑檐下的云镜水景装置，Cloud mirror water feature device under the eaves of the entrance
▼通往南侧办公区的列柱外廊，Columnar porch leading to the south office area
▼毛石、稻草漆、木制吊顶，Rubble stone, straw paint, wooden ceiling
▼对话自然的观景廊，Dialogue between nature and the viewing gallery
“生命之树”是场地中央原生的一棵巨大的国槐，随着四季的更替，树叶繁茂又零落，宛如生命的轮回不止。大槐树以萧瑟和青翠的不同面孔与山谷对话，经历上百年的风雨洗礼，依旧以顽强的生命力见证着彪村南沟山谷中悠长的故事。这棵大树是整个场地的灵魂，酷似北斗七星中最亮的玉衡，是场地中最具昭示性和灵性的存在，是不凡、卓越、生机的象征，是生命之树。人们可以围坐在树下谈心，也可以独坐在树下冥想。我们希望未来它能陪伴更多人跨越时间的长河，成为人们在面对死亡时候的一份心灵倚靠。
The “Tree of Life” is a giant native scholar tree (Sophora japonica) located at the center of the site. With the changing seasons, its leaves flourish and fall, symbolizing the continuous cycle of life. The grand scholar tree engages in a dialogue with the valley, displaying its desolation and verdant faces. Having weathered storms and showers for over a hundred years, it bears witness to the enduring stories of the Nangou Valley in Biaocun. This magnificent tree serves as the soul of the entire site, resembling the brightest star, Yuheng (Alioth), in the Big Dipper. It represents an extraordinary, remarkable and vibrant symbol. People can gather under its shade for heartfelt conversations or sit alone beneath it for contemplation. We hope that in the future, it will accompany more individuals across the river of time, providing spiritual solace when faced with mortality.
▼后院三角挑檐光影，Backyard triangle light and shadow
服务中心的静思后院丰富的光影，The quiet backyard of the service center is rich in light and shadow
云镜是纪念公园最重要的配套建筑，集墓园服务中心、追思厅、骨灰寄存中心、冥想小院、餐厅、随葬品展销、鲜花售卖、墓园展销、墓园管理办公等功能于一体。云镜位于场地中北斗七星斗柄最末端的摇光，摇光又称破军星，是古代象征祥瑞的吉星，寓意不畏、重生。结合山脚的三角形用地，星星的意象通过各种尺度的等边三角形呈现出来。云镜如一颗巨大的星星漂浮在山谷中，与天上的繁星遥相辉映，是永恒、思念、守护、力量的象征。整个建筑的设计都围绕着中心的三角采光天井展开，平面布局、建筑形体、构造细节都充分考虑了三角元素与光影的关系。三角屋顶的天窗和角部的三角构架赋予服务大厅和几个院子神圣而丰富的光影。每个正午时分，阳光会射入屋顶的玻璃天窗，冲破服务大厅的玻璃地面，从中心采光天井的落叶装置倾泻而下，穿透餐厅晶莹剔透的玻璃砖墙，照亮最底层的追思厅小院，这一束光连接了天地与阴阳，营造了圣洁清明的空间感与仪式感，同时也增添了几分五彩斑斓的暖意。
The Cloud Mirror is the most significant supporting building in the memorial park, integrating functions such as the cemetery service center, memorial hall, ash storage center, meditation courtyard, restaurant, display of funeral items, flower sales, cemetery exhibition and cemetery management office. The Cloud Mirror is located at the end of the handle of the Big Dipper constellation, Yaoguang (Alkaid). In ancient times, it was a symbol of auspiciousness, representing fearlessness and rebirth. The triangular shape of the land at the foot of the mountain is combined with various scales of equilateral triangles to present the imagery of stars. The Cloud Mirror floats in the valley like a massive star, reflecting the distant stars in the sky. It symbolizes eternity, remembrance, protecting and strength. The design of the structure revolves around a central triangular skylight courtyard, where the layout, architectural form, and structural details fully consider the relationship between triangular elements and light and shadow. The skylights on the triangular roof and the triangular framework in the corners create a sacred and rich interplay of light and shadow in the service hall and courtyards. Every noon, sunlight penetrates through the glass skylights on the roof, breaking through the glass floor of the service hall, pouring down from the leaf installation in the central skylight courtyard, and penetrating through the translucent glass brick walls of the restaurant, illuminating the courtyard of the lower-level memorial hall. This beam of light connects heaven and earth, yin and yang, creating a sense of sacredness, clarity, and ceremony in the space, while also adding a touch of colorful warmth.
▼追思厅外的冥想小院，The meditation courtyard outside the Hall of Remembrance
▼泄入天光的追思厅，Hall of remembrance
云镜中心的三角采光天井亦是中国“天人合一”天的象征，三条边分别代表着三垣：紫微垣、太微垣、天市垣。为了强化建筑整体的仪式感，建筑外围绕三角中心布置了二十八根列柱，象征中国传统文化中的二十八星宿，代表着四季的变化和自然界生命的循环。三垣的边界分别设置了三个可以驻足观景、静思、冥想的半户外空间，为人们提供与自然对话、与自我对话、与逝者对话的三处特殊场所，这也是三个独特的具有疗愈功能的无情绪空间。
The central triangular skylight courtyard in the Cloud Mirror is also a symbol of the Chinese concept of “harmony between man and nature”. The three sides of the triangle represent the three enclosures: the Ziwei Enclosure, the Taiwei Enclosure, and the Tianshi Enclosure. To enhance the ceremonial atmosphere of the building as a whole, twenty-eight columns are arranged around the perimeter, symbolizing the twenty-eight constellations in traditional Chinese culture, representing the changes of the four seasons and the cycle of life in the natural world. Each boundary of the three enclosures is equipped with a semi-outdoor space where people can stay, contemplate, and meditate. These three special places provide opportunities for people to engage in dialogue with nature, with themselves, and with the departed, serving as unique and emotionally healing spaces.
▼服务大厅的阳光穿透玻璃地面，Sunlight from the service hall penetrates the glass floor
▼采光天窗三角光影，Triangle skylight create light and shadow
▼中庭被阳光照亮的落叶归根装置，The atrium is illuminated by the sun
▼阳光穿透玻璃砖映射在餐厅内，Sunlight shines through the glass tiles in the dining room
▼餐厅五彩斑驳的光庭，The colorful light courtyard of the dining room
服务中心、餐厅、随葬品展销、墓园展销这几个人们停留时间较长的空间，都朝向景观最好的界面，苍翠的山峦和明媚的阳光透过全落地玻璃印入眼帘，为人们营造一个自然、轻松、温馨的空间场所。 The service center, restaurant, display of funeral items, and cemetery exhibition, which are spaces where people spend a longer time, are all oriented towards the best views. The lush mountains and bright sunlight shine through the full-length glass, creating a natural, relaxing, and warm space for people.
▼服务中心大厅，Service center lobby
▼咨询洽谈室，Consultation room
▼餐厅大厅，Dining hall
墓园是连接生者与逝者情感的重要载体，对于这一次特殊的建筑实践，我们希望能用设计为“死亡”这个沉重的话题带来一丝温暖的抚慰，疗愈那些经历过“死亡”的人们。希望墓地能作为生命的另外一种形式被感激缅怀，从而使得墓地这一古老的纪念性场所具有生态疗愈和情感功能与艺术性，体现现代墓地人文与现实的价值。
The cemetery serves as an important carrier connecting the emotions of the living and the departed. In this unique architectural practice, we aspire to use design to bring a touch of warm solace to the weighty topic of “death” and provide healing to those who have experienced the loss of loved ones. We hope that the cemetery can be appreciated and cherished as another form of life, giving this ancient commemorative place ecological healing, emotional functions and artistic value, reflecting the humanistic and practical value of modern cemeteries.
▼追思厅卫生间的天光，The skylight in the bathroom of the memorial Hall
▼夏天的生命之泉、生命之树与云镜，The spring of life in summer, the tree of life and the cloud mirro
▼云镜夜景，Night view
▼柔和的灯光浸染着北侧入口楼梯和二十八星宿列柱，A soft light permeates the north entrance staircase and the 28 star columns
▼总平面图，Master plan ©小隐建筑事务所
▼一层平面图，Ground floor plan ©小隐建筑事务所
▼负一层平面图，Basement floor plan ©小隐建筑事务所
▼二层平面图，First floor plan ©小隐建筑事务所
▼剖面图，Section ©小隐建筑事务所
主创团队：小隐建筑事务所
主持建筑师：潘友才
设计总监：杨喆（合伙人）
技术总监：陈仁振（合伙人）
结构工程师：杜旭
设计团队：赵亚线、胡沁梅、杨锐、苟源君、黄宇婷、刘子轩、宋智颖、冯煜桃
施工图团队：杭州浙经建筑规划设计有限公司（河北分公司）
业主单位：石家庄安德公墓管理有限公司
施工总包：远洋国际建设有限公司 ；
景观施工：盛景国信（北京）生态园林有限公司；
幕墙、室内装饰：远洋装饰工程股份有限公司
摄影：存在建筑
撰文：潘友才、葛祥鑫
项目地址：石家庄井陉县吴家窑乡彪村南沟
建筑面积：2219㎡
建筑材料：稻草漆（华彩）、毛石、木纹复合板（钢顺宝）、铝镁锰金属瓦（乐居乐筑）、深灰色铝单板（华建型材）、Low-E中空玻璃（南玻）
建成时间：2023年1月 Project Leader Team: Archermit
Principal Architect: Youcai Pan
Design Director: Zhe Yang (Partner)
Technical Director: Renzhen Chen (Partner)
Structural Engineer: Xu Du
Design Team: Yaxian Zhao, Qinmei Hu, Rui Yang, Yuanjun Gou, Yuting Huang, Zixuan Liu, Zhiying Song, Yutao Feng
Construction Drawing Design Team: Hangzhou Zhejing Architectural Planning and Design Co., Ltd. (Hebei Branch)
Owner: Shijiazhuang Ande Cemetery Management Co., Ltd.
General Contractor: Oceanwide International Construction Co., Ltd.
Landscape Construction: Shengjing Guoxin (Beijing) Ecological Landscape Co., Ltd.
Curtain Wall and Interior Decoration: Oceanwide Decoration Engineering Co., Ltd.
Photography: Arch-Exist Photography
Writers: Youcai Pan, Xiangxin Ge
Project Address: Nangou, Biao Village, Wujia Yao Township, Jingxing County, Shijiazhuang
Building Area: 2219㎡
Building Materials: Straw Paint (Huacai), Rubble, Wood Grain Composite Board (Gangshunbao), Aluminum-Magnesium-Manganese Metal Tile (Leju Lezhu), Dark Grey Aluminum Panel (Huajian Profile), Low-E Insulated Glass (Nanbo)
Completion Date: January 2023
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